The Eponymous Theatre Critic

Pittsburgh Theatre Reviews from the Eponymous Point of View.

Thursday, May 31, 2012

"Private Lives" from Pittsburgh Public Theatre

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"Private Lives" is the quintessential Noel Coward romp through "only hurt the one you love" antics set in high-society m...
Sunday, May 6, 2012

"Dutchmen" from Bricolage Production Company

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Tuesday, April 3, 2012

"The Electric Baby" from Quantum Theatre

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"The Electric Baby" is a drama about the interconnections between children, parents and the stories that bind us. When a couple ha...
Saturday, March 24, 2012

"M.I.A." from Pittsburgh Playhouse

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"M.I.A" follows the family of a soldier who is currently "Missing In Action", but is most likely dead. The soldier's...
Wednesday, March 14, 2012

"Monster In The Hall" from City Theatre

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"Monster In The Hall" follows Duck, a sixteen-year-old girl Scottish girl on what could be the most stressful day of her young and...
Sunday, February 26, 2012

"M33" by Pittsburgh Playhouse

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"M33" is a slice-of-Americana play about the the Depression Era national craze known as "marathon dances" where everyday...

"Sweeney Todd: The Demon Barber of Fleet Street" by Carnegie-Mellon University

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"Sweeney Todd: The Demon Barber of Fleet Street" is a fan-favorite Sondheim musical built upon a British urban legend of a derange...
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Theatrical Motivations

Eponymous Theatre Critic, Esquire
The Eponymous Theatre Critic desires to contribute to the already rippling pectorials that make up the body of theatre criticism. The Eponymous Theatre Critic would also like to remind all of the immortal words of Epony's mentor, Anton Ego, "But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so."
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